Views given by our honourable guests
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Saturday, 29 November 2014
Friday, 21 November 2014
Thursday, 20 November 2014
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Tuesday, 18 November 2014
Friday, 14 November 2014
The Danish Folk-Dances have the freshness, simplicity and appealing charm that is common to all real folk-dances and folk-songs. The dances contained in this volume are real folk-dances of Denmark which were collected, described and published by the Danish Society for the Promotion of Folk-Dancing, who have done me the honor of authorizing my translation of their work. The idea of forming a Folk-Dance Society in Denmark grew out of a demonstration of Swedish folk-dances given in Copenhagen in 1899 by the Swedish Society Philochoros, and it was Swedish folk-dancing that was first taken up there. Later, however, in 1901, the Danish Society for the Promotion of Folk-Dancing was organized and the work of collecting the folk-dances, music and costumes of Denmark was begun. This was carried on with some financial aid from the government and resulted in the accumulation of a store of valuable material. The descriptions of the dances were written out and the music arranged by committees and later were published by the Society.
Wednesday, 12 November 2014
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Tuesday, 11 November 2014
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Lavani Dancers :-
Popular dancers
Legends like Raja Bhoj, Kanjar gorl were the popular Lavani dancers. There are love songs about Naik Banjara and the Ranubai, which have a much softer tones than the other musical compositions of Lavani. Traditionally the songs are sung by female singers. Male singers have an occassional presence. The dance form associated with Lavani is known as Tamasha.
Gayatri Aich
K.V.Barrackpore (Army)
Class 9th
Tuesday, 4 November 2014
Bhangra is a lively form of folk music and dance that originates from Punjab. Punjabis performed Bhangra to celebrate the sucess of the harvest. People perform Bhangra on the day of Baisakhi, April 13. Bhangra is considered the king of dances.
During Bhangra, people sing Punjabi Boliyaan lyrics, at least one person plays the the dhol drum. The dancers begin to move in a circle around the drummer, who now and then lifts the two sticks, with which he beats the drum, to beckon the dancers to a higher tempo of movement
The costume of a Bhangra dancer consists of a bright, colored Patka on the head, a lacha or lungi of the same color, a long tunic and a black or blue waistcoat and ghunghroos on the ankles. Some dancers also wear small rings (nuntian) in their ears.
During Bhangra, people sing Punjabi Boliyaan lyrics, at least one person plays the the dhol drum. The dancers begin to move in a circle around the drummer, who now and then lifts the two sticks, with which he beats the drum, to beckon the dancers to a higher tempo of movement
The costume of a Bhangra dancer consists of a bright, colored Patka on the head, a lacha or lungi of the same color, a long tunic and a black or blue waistcoat and ghunghroos on the ankles. Some dancers also wear small rings (nuntian) in their ears.
Sonali Chakraborty
K.V.Barrackpore (Army)
Class 9th
The word Lavani derived from Lavanya, meaning beauty. This form is a combination of dance and music, which is dealt with different and varied topics such as society, religion, politics, romance, etc. Attractive women wearing nine-yard saris typically perform the dance with the captivating rhythm of dholak. These women synchronized sensually to a catching tune and teasing lyrics.
Maharashtra was once a battle torn state, and Lavana dance served as mode of entertainment and morale booster to the tired soldiers during the 18th and 19th century. The dance reached peak popularity during the Peshwai (a dynasty seated in Pune) rule, when it was given royal support by the ruling elite. Marathi poets like Honaji Bala, Ramjoshi, Prabhakar, etc. took Lavani to new heights.
Maharashtra was once a battle torn state, and Lavana dance served as mode of entertainment and morale booster to the tired soldiers during the 18th and 19th century. The dance reached peak popularity during the Peshwai (a dynasty seated in Pune) rule, when it was given royal support by the ruling elite. Marathi poets like Honaji Bala, Ramjoshi, Prabhakar, etc. took Lavani to new heights.
Trisha Banerjee
K.V.Barrackpore (Army)
Class 9th
Kalbelia Dance is very famous dance in Rajasthan India. Kalbelia dance is of the kalbelia tribe of rajasthan, the snake charmers. Kalbelia community's occupation being catching snakes and trading snake venom in Rajasthan. Dancers dress traditional black swirling skirts during Kalbelia Dance. Kalbelia Women and Girls dance on the rajasthani folk music during this dance. The rajasthani folk music plays in background and the Kalbelia women and girls dance.
The Kalbelia Dance perform in the time of any big festival or any cultural dance programme in rajasthan India. Kalbelia Dance of rajasthan is a unique dance of kalbelias. Two or three women sings traditional rajasthani songs and others plays the musical instruments.
During Bhavai dance there are some of musical instruments play with folk music like pakhwaja, dholak, jhanjhar, sarangi, harmonium and plaintive notes of the 'been' which is the wooden instrument of the snake charmers. During the Kalbelia Dance of rajasthan we can see the flexibility of the dancers body.
The Kalbelia Dance perform in the time of any big festival or any cultural dance programme in rajasthan India. Kalbelia Dance of rajasthan is a unique dance of kalbelias. Two or three women sings traditional rajasthani songs and others plays the musical instruments.
During Bhavai dance there are some of musical instruments play with folk music like pakhwaja, dholak, jhanjhar, sarangi, harmonium and plaintive notes of the 'been' which is the wooden instrument of the snake charmers. During the Kalbelia Dance of rajasthan we can see the flexibility of the dancers body.
Subhanjana Guha
K.V.Barrackpore (Army)
Class 9th
The Bihu dance is a folk dance from the Indian state of Assam related to the festival of Bihu. This joyous dance is performed by both young men and women, and is characterized by brisk dance steps, rapid hand movement, and a rhythmic swaying of the hips in order to represent youthful passion. Dancers wear traditionally colorful Assamese clothing.
The most important and colourful of the three Bihu festival is the Spring festival "Bohag Bihu" or Rangali Bihu celebrated in the middle of April. Songs sung in Bihu are woven around themes of love and often carry erotic overtones. People adorn traditional attires like Dhoti, Gamocha and Chadar, Mekhala.
Bihu dances performed by young boys and girls characterised by brisk stepping, flinging and flipping of hands and swaying of hips represents youthful passion, reproductive urge and 'Joie-de-vivre'.
In harvest period most of these folk dances are performed. "Khamba Lim" is one such folk dance and is performed by two groups of men and women who stand in two rows. The sense of fun and frolic of the Nagas is seen in many of their dances.
The characteristic feature of all Naga dancing is the use of the human figure in an erect posture with many movements of the legs and comparatively little use of the torso, and the shoulders.
Anushuwa Baidya
K.V.Barrackpore (Army)
Class 9th
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